It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.

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• Georgia O'Keeffe:

  Anyone who doesn't feel the crosses simply doesn't get that country.

• Georgia O'Keeffe:

  I believe I would rather have Stieglitz like something - anything I had done - than anyone else I k

• Georgia O'Keeffe:

  I decided to start anew, to strip away what I had been taught.

• Georgia O'Keeffe:

  I had to create an equivalent for what I felt about what I was looking at - not copy it.

• Georgia O'Keeffe:

  I have things in my head that are not like what anyone has taught me - shapes and ideas so near to

• Georgia O'Keeffe:

  I often lay on that bench looking up into the tree, past the trunk and up into the branches. It was

• Georgia O'Keeffe:

  I often painted fragments of things because it seemed to make my statement as well as or better tha

• Georgia O'Keeffe:

  I said to myself, I have things in my head that are not like what anyone has taught me - shapes and

• Georgia O'Keeffe:

  It was all so far away - there was quiet and an untouched feel to the country and I could work as I

• Georgia O'Keeffe:

  One can't paint New York as it is, but rather as it is felt.