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It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in
It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in
It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in
It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in
It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in
It's a heavy weight, the camera. Now we have modern and lightweight, small plastic cameras, but in
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Annie Leibovitz:
The pictures of my family were designed to be on a family wall, they were supposed to be together.Annie Leibovitz:
I feel very proud of the work from the '80s because it is very bright and colorful.Annie Leibovitz:
I don't think there is anything wrong with white space. I don't think it's a problem to have a blanAnnie Leibovitz:
My lens of choice was always the 35 mm. It was more environmental. You can't come in closer with thAnnie Leibovitz:
Coming tight was boring to me, just the face... it didn't have enough information.Annie Leibovitz:
I was scared to do anything in the studio because it felt so claustrophobic. I wanted to be somewheAnnie Leibovitz:
When you go to take someone's picture, the first thing they say is, what you want me to do? EveryonAnnie Leibovitz:
I've created a vocabulary of different styles. I draw from many different ways to take a picture. SAnnie Leibovitz:
No one ever thought Clint Eastwood was funny, but he was.Annie Leibovitz:
Computer photography won't be photography as we know it. I think photography will always be chemica