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It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspi
It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspi
It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspi
It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspi
It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspi
It's a very intimate, closed universe, doing my own music. It's just me, basically. I have to inspi
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Ryuichi Sakamoto:
Ever since I was 18 or 19, I've wanted to question the sound, tones, and scale associated with theRyuichi Sakamoto:
I've realised that if it is to remain relevant, contemporary music needs to change.Ryuichi Sakamoto:
Looking back at my early career, I had a positive view of technology and its potential. It was a haRyuichi Sakamoto:
I wanted to hear sounds of everyday objects - even musical instruments - as things.Ryuichi Sakamoto:
I went to see one of those pianos drowned in tsunami water near Fukushima and recorded it. Of coursRyuichi Sakamoto:
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I have been a long time fan of Jean-Luc Godard. It's my dream to work with him.Ryuichi Sakamoto:
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My main interest in synthesizers when I was an older teenager was to escape from the spell of the 1