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It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve
It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve
It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve
It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve
It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve
It's absolutely chilling to think that I've been working on a comic-book series called 'Optic Nerve
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Adrian Tomine:
I'm not the best person to analyze any kind of evolution in my work, but I do feel like it's been aAdrian Tomine:
When I first started drawing the earliest incarnation of 'Optic Nerve,' I hadn't even been on a datAdrian Tomine:
I've always liked the tradition of publishing work serially in the comic-book 'pamphlet' format andAdrian Tomine:
There's never been a moment where I sat down at my drawing board and thought, 'I'm a pro!'Adrian Tomine:
Ninety percent of the time when I'm working, there's this very palpable sensation that I'm doing evAdrian Tomine:
The comics work is very slow, and it basically involves working for sometimes years in isolation anAdrian Tomine:
I think the response I get to one 'New Yorker' cover outweighs five books that I publish.Adrian Tomine:
I'm sometimes a cartoonist, and there's an audience for that, and I'm sometimes an illustrator, andAdrian Tomine:
The art editor in charge of the covers at the 'New Yorker' is Francoise Mouly. She's very familiarAdrian Tomine:
For a lot of the time I was in Berkeley, I was single. I was living in a kind of collegiate apartme