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It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creato
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creato
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creato
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creato
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creato
It's interesting, because in the corporate stuff there's a dichotomy there, depending on the creato
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Bill Sienkiewicz:
If you're going to establish a certain level of unreality than you have to deal with it.Bill Sienkiewicz:
If somebody can inspire me, it feels really special.Bill Sienkiewicz:
I was lucky enough to be given books that weren't top sellers; books that were kind of under the raBill Sienkiewicz:
I wanted to learn how to paint rather than just doing black-and-white work.Bill Sienkiewicz:
I wanted to be complete, because I figured that, visually, there was an avenue to explore with painBill Sienkiewicz:
I want to say 90% of stuff out there is just crap that got made. The main point is that it got prodBill Sienkiewicz:
I still love a lot of the guys who just paint.Bill Sienkiewicz:
I didn't want to feel constrained, so I took on the Mutants.Bill Sienkiewicz:
For a while I felt very alone; sort of out there in the world of comics, especially here in the StaBill Sienkiewicz:
Especially with Elektra, because I'm doing a lot of the covers for the new version of Elektra.