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It's so difficult writing about living people.
It's so difficult writing about living people.
It's so difficult writing about living people.
It's so difficult writing about living people.
It's so difficult writing about living people.
It's so difficult writing about living people.
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James D. Watson:
I would only once have the opportunity to let my scientific career encompass a path from the doubleGerry Mulligan:
In a way, I started out to be a baritone player.Gerry Mulligan:
So I played alto for quite a while until I saved up the money for the baritone.Gerry Mulligan:
Then, of course, I played alto and tenor, wherever there were jobs.Gerry Mulligan:
The other saxophones, except as solo instruments, really don't have much point in the orchestra.Gerry Mulligan:
The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.Gerry Mulligan:
Only the French, I guess, really use tenor and alto to any great extent in the orchestra.Gerry Mulligan:
Now, the instrumentation in the jazz band and the jazz dance band has gone through many evolutions.Gerry Mulligan:
When I began listening to saxophones, I was first attracted to Coleman Hawkins.Gerry Mulligan:
In fact, I heard Bird first, and had got well into listening to him. You know, it's the kind of acc