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It's the swirling river of time that makes our identities, not the monochromatic simplicity of skin
It's the swirling river of time that makes our identities, not the monochromatic simplicity of skin
It's the swirling river of time that makes our identities, not the monochromatic simplicity of skin
It's the swirling river of time that makes our identities, not the monochromatic simplicity of skin
It's the swirling river of time that makes our identities, not the monochromatic simplicity of skin
It's the swirling river of time that makes our identities, not the monochromatic simplicity of skin
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Giles Foden:
To realise belatedly that there are Swahili epic poems which rival their European equivalents for sGiles Foden:
Writing about Africa by Africans has been part of my literary apprenticeship, standing alongside woGiles Foden:
I grew up in the African bush in Malawi, Tanzania and Uganda, which is my thing. I love the smell oGiles Foden:
I can't think of a specific meal, but my favourite country for food has got to be France. I love thGiles Foden:
In Kenya, crime and terrorism are deeply linked, not least by the failure of successive Kenyan goveGiles Foden:
Ordinary Kenyans rightly want to be able to shop safely, and there is a long history of them doingGiles Foden:
You can gesture at the transnational problem of Islamist terrorism all you like, but it's just hotGiles Foden:
The search for inventive ways of telling the tale of Christ's birth has been going on a long time;Giles Foden:
In any culture, if information is to maximise in a contextual space, and new meanings be born, theGiles Foden:
Suffering produces a recursion to the tribe, to one's own kind. When a lot of people suffer, tribes