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I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's
I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's
I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's
I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's
I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's
I've been working on the soprano saxophone for 40 years, and the possibilities are astounding. It's
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Steve Lacy:
I've performed solo for 20 years now, but I don't do much of it, because if you only play alone, yoSteve Lacy:
If you have music you want to play that no one asks you to play, you have to go out and find whereSteve Lacy:
If you listen to Louis Armstrong from 1929, you will never hear anything better than that really, aSteve Lacy:
If you're trying to invent something new, you're going to reach a lot of discouraging points, and mSteve Lacy:
It starts with a single sound. If there's something in that sound, then it's worth continuing.Steve Lacy:
It's very important to go through periods where you sound just rotten and you know it, and you haveSteve Lacy:
Jazz is like wine. When it is new, it is only for the experts, but when it gets older, everybody waSteve Lacy:
Jazz is people's music, a collectivity.Steve Lacy:
Kenny G, I have to be grateful to him for proving that the instrument can be played all different kSteve Lacy:
Nobody was playing the soprano saxophone and certainly nobody was trying to do anything with it. So