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I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, th
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, th
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, th
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, th
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, th
I've made the film 'The Good, the Bad, the Weird,' which was an Eastern Western film. Obviously, th
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Kim Jee-woon:
America is a country that, even with all its flaws, has been able to flourish because there is a ceKim Jee-woon:
After my film 'The Tale of Two Sisters,' I received a lot of offers from Hollywood to direct, but bKim Jee-woon:
The Western is as American as a film can get - there's the discovery of a frontier, the element ofKim Jee-woon:
I think my tendency when working is to try and find what's lacking in my current project and then tKim Jee-woon:
I work from opposites to opposites, in a way. It's finding one thing and then doing the other fromKim Jee-woon:
What can possibly be the common factor in a Kim Jee-woon film? I think what really ties a lot of myKim Jee-woon:
'The Good, the Bad, the Weird' is about individuals fulfilling their desires and just going the disKim Jee-woon:
Of course, 'The Last Stand' has a villain who is traveling to the border to fulfill his own desiresKim Jee-woon:
In Korea, the director has the final word. If the director makes a decision, that decision is finalKim Jee-woon:
One quality that a director needs to acquire in Hollywood is to understand the system and figure ou