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Losing a fantasy is much harder than losing a reality.
Losing a fantasy is much harder than losing a reality.
Losing a fantasy is much harder than losing a reality.
Losing a fantasy is much harder than losing a reality.
Losing a fantasy is much harder than losing a reality.
Losing a fantasy is much harder than losing a reality.
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Timothy Morton:
When you make or study art, you are not exploring some kind of candy on the surface of a machine. YTimothy Morton:
One advantage of arguing that causality is aesthetic is that it allows us to consider what we callTimothy Morton:
Humans can no longer ignore nonhumans: they end up haunting the words we use and interrupting everyTimothy Morton:
The trouble with ecological invocations of Nature is that they're like calling for a medieval tool,Timothy Morton:
Invoking Nature always measures the distance we have yet to travel to achieve real progress on enviTimothy Morton:
Nature was developed to resist the onslaughts of capitalism, but it's really not a very good defensTimothy Morton:
Aesthetic experiences are powerful, to be sure, and probably inescapable, but Nature will not remaiTimothy Morton:
I'm not unhappy with the idea of appealing to people's self-interest if that's what makes them undeTimothy Morton:
Trivially speaking, ecological awareness means realising that beings are interconnected in some wayTimothy Morton:
Symbiosis can fail in various different ways: if there's too much stomach bacteria in my stomach, I