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Many immigrants do not talk about what they endured back home. They were fleeing that world, and wh
Many immigrants do not talk about what they endured back home. They were fleeing that world, and wh
Many immigrants do not talk about what they endured back home. They were fleeing that world, and wh
Many immigrants do not talk about what they endured back home. They were fleeing that world, and wh
Many immigrants do not talk about what they endured back home. They were fleeing that world, and wh
Many immigrants do not talk about what they endured back home. They were fleeing that world, and wh
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Isabel Wilkerson:
What I love about the stories of the Great Migration is that this is not ancient history; this is lIsabel Wilkerson:
America is made up of people who came from someplace else. Even the Native Americans came over theIsabel Wilkerson:
People leave when life becomes untenable where they are.Isom Innis:
Our songs, we construct them and deconstruct them so much, we kind of forget exactly what we contriIsom Innis:
On 'Sid & Nancy,' it was originally this atonal kind of beat that you hear in the verses, like an aIsom Innis:
I lived in Boston for four or five years and would commute to New York to play gigs. New York CityIsom Innis:
2000's 'Donuts,' J Dilla - that's like the manual of hip hop production.Isom Innis:
Growing up playing the drums, I idolised Questlove from an early age. 'Phrenology' was the first RoIsom Innis:
The music industry is more singles-driven, and the attention span of culture becomes shorter and shIsom Innis:
When I listen to 'Workinonit' or 'Two Can Win' or 'Anti-American Graffiti,' it takes me to another