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'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, th
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, th
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, th
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, th
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, th
'Monsters,' everybody has the thought of monsters in your closet as a kid, and more importantly, th
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Pete Docter:
Each one of the films get built up and strengthened and reinforced, and we're not afraid to rip stuPete Docter:
Walt Disney wasn't making films for kids. Neither were the Muppets. A lot of the great, really coolPete Docter:
I remember as a kid having a balloon and accidentally letting the string go and watching it just flPete Docter:
I love to go to the airports and just put on, like, dark glasses, so nobody can tell I'm staring atPete Docter:
The way we work at Pixar is we write the script, but then we quickly move on into story reel, whichPete Docter:
'In-between' is sort of - an animator does the key poses. He'll do extremes, you know, like a charaPete Docter:
I loved 'Dumbo.' I watched Bugs Bunny time and again. The Muppets were big, too. All of those, theyPete Docter:
I wanted to make sure that 'Up' wasn't a 3D movie about a man who sails his house to South America.Pete Docter:
I think, in Japan, animation isn't relegated to being a genre unto itself. It's just a medium by whPete Docter:
As a director, nobody told me I'd be talking to people all day. I'm naturally reclusive - I feel my