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Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I hav
Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I hav
Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I hav
Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I hav
Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I hav
Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I hav
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Jonas Mekas:
Once you change the technology - from a film camera to a video camera, or from an 8-mm camera to 16Jonas Mekas:
Some cameras are heavier and need to be on tripods. Others are small enough to hide in your pocket.Jonas Mekas:
I myself saw the great works of Western civilization for the first time in my high school in LithuaJonas Mekas:
The nature of the video camera really makes you focus on the present. Since I have always been a diJonas Mekas:
In 1962, we created the Filmmakers' Co-Op because nobody wanted to distribute our films. If we hadJonas Mekas:
My life is essentially not so unique. On some deeper levels we feel the same, we know the same thinJonas Mekas:
As a film-maker and a poet, I feel it's my duty to be an eye and an antenna to what's happening aroJonas Mekas:
Yes, I got my first Bolex camera a few weeks after being dropped in New York by the United NationsJonas Mekas:
When I came to New York in 1949, there was already an entire fresh avant-garde film movement bloomiWim Wenders:
The Cuban people have an amazingly strong and unbroken spirit.