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My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a l
My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a l
My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a l
My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a l
My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a l
My father ran London Films. He made films like 'The Red Shoes,' 'The Third Man.' And he had had a l
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Mark Helprin:
I have jumped out of airplanes but I was not technically a paratrooper. I was an infantryman and aMark Helprin:
The thing that strikes you most about being a soldier in a war zone and in action to the small exteMark Helprin:
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The craftless anarchy of the Beat poets on the one hand, and the extreme control of Henry James onMark Helprin:
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Barnes & Noble is able to publish price-reduced non-copyrighted works not so much because it savesMark Helprin:
'Freeing' a literary work into the public domain is less a public benefit than a transfer of wealthMark Helprin:
Mozart and Neil Diamond may have begun with the same idea, but that a work of art is more than an iMark Helprin:
No good case exists for the inequality of real and intellectual property, because no good case can