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My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you ma
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you ma
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you ma
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you ma
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you ma
My mother sent me to art classes at the age of 11. I began to have kids around me say, 'Will you ma
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Kehinde Wiley:
I started making work that I assumed would be far too garish, far too decadent, far too black for tKehinde Wiley:
Painting is about the world that we live in. Black men live in the world. My choice is to include tKehinde Wiley:
Artists are those people who sit at the intersection between the known and unknown, the rational anKehinde Wiley:
Many people see my early work simply as portraits of black and brown people. Really, it's an investKehinde Wiley:
The performance of black American identity feels very different from actually living in a black bodKehinde Wiley:
When I'm at my best, I'm trying to destabilize myself and figure out new ways of approaching art asKehinde Wiley:
In the end, so much of what I wanted to do was to have a body of work that exhaustively looked at bKehinde Wiley:
Branding says a lot about luxury and about exclusion and about the choices that manufacturers make,Kehinde Wiley:
My love affair with painting is bittersweet.Kehinde Wiley:
What I wanted to do was to look at the powerlessness that I felt as - and continue to feel at times