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My own position is, that it is largely up to the work itself to suggest the nature of these referen
My own position is, that it is largely up to the work itself to suggest the nature of these referen
My own position is, that it is largely up to the work itself to suggest the nature of these referen
My own position is, that it is largely up to the work itself to suggest the nature of these referen
My own position is, that it is largely up to the work itself to suggest the nature of these referen
My own position is, that it is largely up to the work itself to suggest the nature of these referen
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Brian Ferneyhough:
Hence my obstinate emphasis on stylistic continuity from work to work rather than specific siblingBrian Ferneyhough:
I am certainly not arguing for the de facto autonomy of the individual work, even though there is mBrian Ferneyhough:
In my own recent String Trio I attempt to superimpose two quite different sets of formal strategiesBrian Ferneyhough:
There would seem to be a limit, even for an art preoccupied with boundaries and transgressions, beyBrian Ferneyhough:
If nothing is at risk, nothing is established.Brian Ferneyhough:
The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests aBrian Ferneyhough:
In my model, important interference phenomena arise when individual strata come into contact. TheseBrian Ferneyhough:
With respect to the respective French and German traditions you are no doubt correct, although I amBrian Ferneyhough:
I'm perplexed, though, by your application of the term 'negative' to my figural imagery.Brian Ferneyhough:
I don't see 'lines of force' as being destructive, except to the extent that they are exclusively t