My single-minded aim is to give existence to fantasy.

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• Claes Oldenburg:

  My struggle has been to return painting to the tangible object, which is like returning the persona

• Claes Oldenburg:

  I think of a monument as being symbolic and for the people and therefore rhetorical, not honest, no

• Claes Oldenburg:

  I like to treat paint as material - to daub it, drop it, let it slide. There was Action Painting, b

• Claes Oldenburg:

  A life cycle can be imposed on an object. An object can be very energetic and active, and then it h

• Claes Oldenburg:

  'Clothespin' was the first city monument on a large scale that could compete with the architecture

• Richard Serra:

  I think different people have different problems and different relations to the exhibition of their

• Richard Serra:

  If you get it out into the urban field it's going to be used or misused but it'll also probably pro

• Richard Serra:

  And certainly the history of public sculpture has been disastrous but that doesn't mean it ought no

• Richard Serra:

  The thing about rigging is, you can learn it if you become a master rigger but there's no book on r

• Richard Serra:

  I think this, I think basically I'm not interested in people following my work or making work like