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My story is the story of many postwar British families. Upward mobility. A council house and then n
My story is the story of many postwar British families. Upward mobility. A council house and then n
My story is the story of many postwar British families. Upward mobility. A council house and then n
My story is the story of many postwar British families. Upward mobility. A council house and then n
My story is the story of many postwar British families. Upward mobility. A council house and then n
My story is the story of many postwar British families. Upward mobility. A council house and then n
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Sarah Waters:
My parents were the first in our family to go to grammar school. My grandparents were in service.Sarah Waters:
My nan was a nursery maid. Most people weren't in big houses. They were maids of all work.Sarah Waters:
Sometimes I think I'd be perfectly happy to go on rewriting 'Tipping the Velvet' forever because itSarah Waters:
The early '20s were like the waist of an hourglass. Lots of things were hurtling toward it and squeSarah Waters:
Ours is a world which feels so unsettled and dangerous in large ways, whether it's terrorism or gloSarah Waters:
I'm interested in stories that aren't getting told: it's where my interests lie.Sarah Waters:
I used to write at home, but it didn't ever occur to me to be a writer.Sarah Waters:
I do love the past but wouldn't want to live in it.Sarah Waters:
People say, 'You're like Dickens', but I'm not like Dickens. Zadie Smith is a Dickensian writer becSarah Waters:
All I can do is write about whatever grabs me.