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My work comes out of a deep psychological place, so it's not like I'm Object Man at home. Theoretic
My work comes out of a deep psychological place, so it's not like I'm Object Man at home. Theoretic
My work comes out of a deep psychological place, so it's not like I'm Object Man at home. Theoretic
My work comes out of a deep psychological place, so it's not like I'm Object Man at home. Theoretic
My work comes out of a deep psychological place, so it's not like I'm Object Man at home. Theoretic
My work comes out of a deep psychological place, so it's not like I'm Object Man at home. Theoretic
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Tino Sehgal:
Photographs are two-dimensional. I work in four dimensions.Tino Sehgal:
A museum is like a valuing machine. Museums and the industrial society started at the same moment,Tino Sehgal:
On a very, very basic level, I'm definitely pro market because with the market comes the idea of thTino Sehgal:
As we get better at things, we need less people to produce the things we really need, but what do wTino Sehgal:
As a culture or a civilisation, we are a bit juvenile; it's like 'Oh, I have all this power, whoa,Tino Sehgal:
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The people who are interested in my work - they're quite far-out.Tino Sehgal:
I want to bring back the human encounter into places where material things have a prime status. InTino Sehgal:
In preindustrial times, the idea of creating something was more related to your personality. PersonTino Sehgal:
Material things are not helpful after a certain degree of saturation. So you turn to other products