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No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero mo
No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero mo
No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero mo
No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero mo
No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero mo
No studio picks up the phone after seeing 'Dogtooth' and goes, like, 'We have the next superhero mo
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Yorgos Lanthimos:
I just do things that I'm interested in making and work with the people I'm interested in working wYorgos Lanthimos:
I work very closely with my co-writer, Efthimis Filippou. Ideas either start from him or me, and thYorgos Lanthimos:
The first time I was paid was with 'The Lobster,' because with the Greek films, we just had to payYorgos Lanthimos:
I want all the mistakes to be mine, and I want to take responsibility for everything even if I failYorgos Lanthimos:
I make films that are what they are. Some people like them, and some people don't.Yorgos Lanthimos:
I always try and decide what I'm interested in, and I just do that.Yorgos Lanthimos:
'The Lobster,' at some point, was my most accessible film. Then I made 'The Killing of a Sacred DeeYorgos Lanthimos:
The best way to watch a film is to not know anything about the person who made it.Yorgos Lanthimos:
Uncertainty helps keep actors on edge.Yorgos Lanthimos:
If you use music boldly at the front of a scene, it creates another level.