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Normally when you write for an orchestra, you think about melody and harmony and countermelody.
Normally when you write for an orchestra, you think about melody and harmony and countermelody.
Normally when you write for an orchestra, you think about melody and harmony and countermelody.
Normally when you write for an orchestra, you think about melody and harmony and countermelody.
Normally when you write for an orchestra, you think about melody and harmony and countermelody.
Normally when you write for an orchestra, you think about melody and harmony and countermelody.
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