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On the other hand, the artist has much to do in the realm of color construction, which is so little
On the other hand, the artist has much to do in the realm of color construction, which is so little
On the other hand, the artist has much to do in the realm of color construction, which is so little
On the other hand, the artist has much to do in the realm of color construction, which is so little
On the other hand, the artist has much to do in the realm of color construction, which is so little
On the other hand, the artist has much to do in the realm of color construction, which is so little
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Robert Delaunay:
Nature engenders the science of painting.Robert Delaunay:
Light in Nature creates the movement of colors.Robert Delaunay:
Light comes to us by the sensibility. Without visual sensibility there is no light, no movement.Robert Delaunay:
It is this research into pure painting that is the problem at the present moment. I do not know anyRobert Delaunay:
In this movement of colors I find the essence, which does not arise from a system, or an a priori tRobert Delaunay:
Impressionism; it is the birth of Light in painting.Robert Delaunay:
If Art relates itself to an Object, it becomes descriptive, divisionist, literary.Robert Delaunay:
I say it is indispensable to look ahead of and behind oneself in the present. If there is such a thRobert Delaunay:
I am very much afraid of definitions, and yet one is almost forced to make them. One must take careRobert Delaunay:
First of all, I always see the sun! The way I want to identify myself and others is with halos here