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On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't
On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't
On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't
On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't
On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't
On the Web, we can be whoever we wish to be, editing the face we show to others in ways that aren't
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Walter Kirn:
There are two different forms of storytelling: Novels tend to come from the inside of a character,Walter Kirn:
You're able to do things in novels: introduce subplots, other characters, thematic layers and so onWalter Kirn:
You have plausible deniability, as they say in politics, as an author with movies. Because if the mWalter Kirn:
Here's how adaptation works - almost everything in the movie is in the book in some form. But it'sWalter Kirn:
Good short-story collections, like good record albums, are almost always hit-and-miss affairs - sucWalter Kirn:
Short stories are fiction's R & D department, and failed or less-than-conclusive experiments are noWalter Kirn:
Let the novelists fret about consistency - story writers should feel free to jam; to get things rigWalter Kirn:
Nothing is less suspenseful than a threat that threatens the maker of the threat at least as much aWalter Kirn:
The reason that last-ditch political maneuvering has become business as usual in Washington is thatWalter Kirn:
When I shoot at the range, I don't feel personally powerful but like the custodian of something pow