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One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is cruci
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is cruci
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is cruci
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is cruci
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is cruci
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is cruci
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Toby Jones:
There is this miraculous thing I heard Hugh Grant talking about - the thing about screen acting isToby Jones:
They seem much rarer now, those auteur films that come out of a director's imagination and are elliToby Jones:
Four hours of prosthetics every morning, the jowls and the nose, and it was very hot so they're havToby Jones:
I work best when a little scared, when there's so much more than the lines to think about.Toby Jones:
When working abroad you work pretty hard, but with time off, this is the greatest job in the world.Toby Jones:
I was a fan of Hitchcock, but more importantly than that, he is such an inscrutable man, and a veryToby Jones:
The prosthetics were interesting because the artist was so good that they could just put a HitchcocToby Jones:
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette wasToby Jones:
It's always very strange to have your life dramatized because it never happens like that. Things wiToby Jones:
You always get told how important the premiere and doing the press is, but I have suspicions.