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Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene tog
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene tog
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene tog
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene tog
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene tog
Onstage I'm the one in control - I'm not at the mercy of how an editor chooses to put the scene tog
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Laurie Metcalf:
I don't like working in front of a camera.Laurie Metcalf:
My profession is about as far away from growing up in southern Illinois as you can get.Laurie Metcalf:
I can't even call it work. I'm a creative-a-holic. I love the tearing into new material.Laurie Metcalf:
I'm not trying to blow out a camera lens or make the audience's hair go straight back from my sheerLaurie Metcalf:
No matter how many times you've done it, the early stages of getting a show up on its feet is veryLaurie Metcalf:
I don't know if ISU helped me become what I am, but I know that if I hadn't gone there, I wouldn'tLaurie Metcalf:
I wasn't turning down film roles, let's put it that way. I was never really on that radar.Laurie Metcalf:
I gravitated back to theatre again, and when I heard about this little independent movie called 'LaGeorge Papandreou:
There are certain moments in the history of a nation when the choices made define the decades to coGeorge Papandreou:
You can theorise about the options you have but in reality they are very specific.