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O.P.N. has always been about reaching for some kind of liminal state in which opposing aesthetic fo
O.P.N. has always been about reaching for some kind of liminal state in which opposing aesthetic fo
O.P.N. has always been about reaching for some kind of liminal state in which opposing aesthetic fo
O.P.N. has always been about reaching for some kind of liminal state in which opposing aesthetic fo
O.P.N. has always been about reaching for some kind of liminal state in which opposing aesthetic fo
O.P.N. has always been about reaching for some kind of liminal state in which opposing aesthetic fo
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Oneohtrix Point Never:
I loved Alva Noto's 'Xerrox, Vol. 3' a lot. It might be my favorite of his records. I must admit, IOneohtrix Point Never:
I've lost so many gigs composing commercial or television music because I can't repress my inclinatOneohtrix Point Never:
Nothing's ever easy about composing for other people's projects, but I like it. I've been lucky toOneohtrix Point Never:
Oneohtrix Point Never is total freedom to do what I think is right.Oneohtrix Point Never:
When people talk about how parameters can generate really good work, there's no better example thanOneohtrix Point Never:
As a movie fan, I remember Quentin Tarantino and Lawrence Bender and the sort of energy around 'ResOneohtrix Point Never:
The easiest way for me to tell someone what I do is to say that I'm a non-musician who practises anOneohtrix Point Never:
I love seeing Tim Hecker perform because the experience truly shakes me.Oneohtrix Point Never:
The problem with depicting what's weird and what isn't is that it's got to this point of near totalOneohtrix Point Never:
I think nostalgia used purely for the sake of emotional reminiscing is extremely boring.