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People in millenniums ahead will know what we were like in the 1930's and the thing that, the impor
People in millenniums ahead will know what we were like in the 1930's and the thing that, the impor
People in millenniums ahead will know what we were like in the 1930's and the thing that, the impor
People in millenniums ahead will know what we were like in the 1930's and the thing that, the impor
People in millenniums ahead will know what we were like in the 1930's and the thing that, the impor
People in millenniums ahead will know what we were like in the 1930's and the thing that, the impor
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Gordon Parks:
So I went to Chicago in 1940, I think, '41, and the photographs that I made there, aside from fashiGordon Parks:
The man at Kodak told me the shots were very good and if I kept it up, they would give me an exhibiGordon Parks:
The photographer begins to feel big and bloated and so big he can't walk through one of these doorsGordon Parks:
The subject matter is so much more important than the photographer.Gordon Parks:
There's another horizon out there, one more horizon that you have to make for yourself and let otheGordon Parks:
Washington, D.C. in 1942 was not the easiest place in the world for a Negro to get along.Gordon Parks:
You know, the camera is not meant just to show misery.Dorothea Lange:
I many times encountered courage, real courage. Undeniable courage. I've heard it said that that waDorothea Lange:
Photography takes an instant out of time, altering life by holding it still.Dorothea Lange:
A documentary photograph is not a factual photograph.