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Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.
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Esa-Pekka Salonen:
Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.Esa-Pekka Salonen:
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.Esa-Pekka Salonen:
My music wouldn't sound the way it does if I hadn't had the experience of conducting.Esa-Pekka Salonen:
I feel very free and very happy to be a composer.Esa-Pekka Salonen:
There is such a suspicion in today's world of people who do more than one thing, who aren't specialEsa-Pekka Salonen:
Anyone who composes and conducts at the same time is immediately suspect, because he must be fakingEsa-Pekka Salonen:
The act of conducting in itself, of waving my arms in the air and being in charge, I didn't miss. IEsa-Pekka Salonen:
With American orchestras, in particular, because they play in such huge halls, getting a true pianiEsa-Pekka Salonen:
The players never think they project enough. In a hall that seats 3,300 people, it's a very scary tEsa-Pekka Salonen:
Once you get over the first hill, there is always a new, higher one lurking, of course.