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So I was asked to do horror film after horror film, a series of about five, after that, and some of
So I was asked to do horror film after horror film, a series of about five, after that, and some of
So I was asked to do horror film after horror film, a series of about five, after that, and some of
So I was asked to do horror film after horror film, a series of about five, after that, and some of
So I was asked to do horror film after horror film, a series of about five, after that, and some of
So I was asked to do horror film after horror film, a series of about five, after that, and some of
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Fay Wray:
My children didn't when they were little because I thought that they had to be of a certain age. IFay Wray:
When it was over my daughter said, 'Oh, I felt so sorry for him - he didn't want to hurt you, he liFay Wray:
That was' one time when my technique absolutely deserted me, I must admit. There was a wax face thaFay Wray:
I don't know why Sinclair Lewis fell in love with me. He didn't get even the slightest response froFay Wray:
It was good for us, I suppose. Those kinds of times produce qualities in us that make us better forFay Wray:
She wanted us to feel we were above everyone in the town. She really did tell us that we were relatFay Wray:
For the purposes of the play, it was perfect to be able to use that and the stresses and strains thFay Wray:
I went to Washington to ask for a little residual payment for the people who had written films in tFay Wray:
When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in chFay Wray:
The producers who wanted me to do it liked me and trusted me, and more than one scene was only one