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Some of what I consider my best work, and some of the best films that I've ever worked on, kind of
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of
Some of what I consider my best work, and some of the best films that I've ever worked on, kind of
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Roger Deakins:
There's so many films from around the world, I emphasize, that are so beautifully photographed, butRoger Deakins:
The biggest challenge of any cinematographer is making the imagery fit together of a piece: that thRoger Deakins:
I've always painted or drawn pictures or taken still photographs; now I shoot movies. It's just aboRoger Deakins:
I love everything that Cormac McCarthy has written.Ken Loach:
I challenge the idea that films about rich people are escapism and films about working class peopleKen Loach:
We have to defend the migrant workers and give them our support and demand that they have the rightKen Loach:
Every four or five films we've made a film that has gone on TV first. It's quite nice to tap into tKen Loach:
You'll get unsociable people whatever the nationality, colour, race or creed. I guess the British aKen Loach:
Well, I think by and large, certainly in terms of cinema, American culture dominates our cinema, maKen Loach:
The worst thing about being a freelance film director is that you're scrambling around Soho with a