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That's one of the problems with the Zeppelin stuff. It sounds ridiculous on MP3. You can't hear wha
That's one of the problems with the Zeppelin stuff. It sounds ridiculous on MP3. You can't hear wha
That's one of the problems with the Zeppelin stuff. It sounds ridiculous on MP3. You can't hear wha
That's one of the problems with the Zeppelin stuff. It sounds ridiculous on MP3. You can't hear wha
That's one of the problems with the Zeppelin stuff. It sounds ridiculous on MP3. You can't hear wha
That's one of the problems with the Zeppelin stuff. It sounds ridiculous on MP3. You can't hear wha
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Jimmy Page:
In the 1960s and into the '70s, everyone in their own way was trying to open up the musical horizonJimmy Page:
Our intent with Led Zeppelin was not to get caught up in the singles' market, but to make albums whJimmy Page:
If you listen to our work, from 'Led Zeppelin I' to 'Coda,' it's just a fantastic textbook.Jimmy Page:
I'm not a guitar hero.Jimmy Page:
I've never mastered the guitar. Either I was playing it, or it was playing me; it depends how you lJimmy Page:
I'm always looking for the creative spark. Always.Jimmy Page:
I do not recall ever seeing Spirit perform live.Jimmy Page:
I consider descending chromatic lines and arpeggiated chords basic skills learned by any student ofJimmy Page:
Certainly, as a guitarist, I was aware of descending chromatic lines and arpeggios long before 1968Jimmy Page:
I can understand why we got bad reviews. We went right over people's heads. One album would follow