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The audience for comics has shifted dramatically. And the boundaries between books and fine arts ha
The audience for comics has shifted dramatically. And the boundaries between books and fine arts ha
The audience for comics has shifted dramatically. And the boundaries between books and fine arts ha
The audience for comics has shifted dramatically. And the boundaries between books and fine arts ha
The audience for comics has shifted dramatically. And the boundaries between books and fine arts ha
The audience for comics has shifted dramatically. And the boundaries between books and fine arts ha
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Shaun Tan:
When I was growing up, a lot of books affected me, but I never wrote letters to the author or anythShaun Tan:
Like all of my previous work - which I also hope is a bit hard to categorise - 'The Oopsatoreum' isShaun Tan:
The more I draw and write, the more I realise that accidents are a necessary part of any creative aShaun Tan:
Good and bad ideas both come from the same fountain of speculation and experiment.Shaun Tan:
It's only a very small percentage of creative thinking that ends up connecting with a wider audiencShaun Tan:
Drawing a good picture is like telling a really good lie - the key is in the incidental detail.Shaun Tan:
The detail adds an element of unexpected something. All fiction is false; what makes it convincingShaun Tan:
By itself, just to draw crazy creatures has limited appeal - if I had to give up one thing, it woulShaun Tan:
Seeing your work in print is exciting, especially when you're young. It's that feeling that you havShaun Tan:
You discover how confounding the world is when you try to draw it. You look at a car, and you try t