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The central question driving literary aesthetics in the age of the iPad is no longer 'How should no
The central question driving literary aesthetics in the age of the iPad is no longer 'How should no
The central question driving literary aesthetics in the age of the iPad is no longer 'How should no
The central question driving literary aesthetics in the age of the iPad is no longer 'How should no
The central question driving literary aesthetics in the age of the iPad is no longer 'How should no
The central question driving literary aesthetics in the age of the iPad is no longer 'How should no
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Garth Risk Hallberg:
You don't have to subject yourself to the sweep and rigor of Bourdieu's book 'Distinction' to feelGarth Risk Hallberg:
We who curate our Twitter feeds and Facebook walls understand that at least part of what we're doinGarth Risk Hallberg:
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In college, I was a huge fan of 'Les Miserables.' I seem to remember that people who were into FrenGarth Risk Hallberg:
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I respect Billy Joel, but I'm not a guy who's gonna sit down and listen to the entire 'Essential BiGarth Risk Hallberg:
I'm not confident in my own ability to resist the titanic force of my own ego.Garth Risk Hallberg:
The ego being shattered is not what frightens me - that can be useful for writing - but the ego bei