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The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings
The comics I made from 1990 to 1997 were largely based in vaguely urban, vaguely dystopic settings
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Nate Powell:
I love trying to forge a contract between creator and audience in which we are able to meet halfwayNate Powell:
We all accept the visual shorthand used throughout comics: if something's farther away, it'll be drNate Powell:
My sense of politics and justice was deeply shaped in adolescence by my involvement with the undergNate Powell:
My narrative style centers around intimate, highly subjective depictions of personal experience andNate Powell:
There are constant challenges in the drawing process, especially in a period piece, and therein layNate Powell:
Comics creators are generally screwed in life: Most of us who are fortunate enough to do comics fulNate Powell:
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Power, privilege, and violence are not, and never were, strictly Southern issues in America.Nate Powell:
'Swallow Me Whole' is still the creation that's closest to my heart.