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The more I find out about the dynamic and how it works, the more I realize how lucky I am to have e
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have e
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have e
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have e
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have e
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have e
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Paddy Considine:
Being a director is almost like being another sort of character, but you're out of view.Paddy Considine:
With directors, some have a kind of in-built ability to just know how to work with actors and get tPaddy Considine:
I think it's a shame when the arts have to suffer because of corporate greed. People will always stPaddy Considine:
It's different being a director. I suppose, especially if it's a story you've written and you feelPaddy Considine:
I worked with some directors, and it was really collaborative, and I was sort of writing with them.Paddy Considine:
People can very quickly have a very poor self-image. It doesn't take much.Paddy Considine:
It's such a stressful environment, I find, being an actor, being put in the chair and 'Touch this,Paddy Considine:
The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it'Paddy Considine:
At the end of the day, my life isn't about other people's work. I've got to stop giving stuff away.Paddy Considine:
I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money