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The negative is just as important as the positive.
The negative is just as important as the positive.
The negative is just as important as the positive.
The negative is just as important as the positive.
The negative is just as important as the positive.
The negative is just as important as the positive.
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Ellsworth Kelly:
I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style tEllsworth Kelly:
I always felt that a painted edge between two colors was a depiction somehow.Ellsworth Kelly:
The paintings to me are always canvas; sculpture has always been metal, though I have made sculpturEllsworth Kelly:
I have a sort of inner sense for scale.Ellsworth Kelly:
One of the first drawings I did in Paris - I wasn't thinking of doing drawings, but somehow or otheEllsworth Kelly:
My drawings have to be quick. If they don't happen in 20 minutes or a half hour, then they're no goEllsworth Kelly:
My earliest drawing is a supposed Carracci. It wasn't very expensive, I guess, because they don't kEllsworth Kelly:
I only like artists older than myself. Time is so important. It's always been the same way, I guessEllsworth Kelly:
I learned my color in Europe. I've always been a colorist, I think. I started when I was very youngEllsworth Kelly:
I don't like mixed colors that much, like plum color or deep, deep colors that are hard to define.