The possibility of being as free with the camera as we are with the pen is a fantastic prospect for the creative life of the 21st century.

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• Carlos Fuentes:

  Don't classify me, read me.

• Mose Allison:

  All the classic jazz players all sang and a lot of 'em sang blues.

• Mose Allison:

  And Lennie Tristano I like a lot, I still like him.

• Mose Allison:

  As far as I'm concerned, the essentials of jazz are: melodic improvisation, melodic invention, swin

• Mose Allison:

  At this point, I don't listen to other people too much. I'm not really that affected by anyone.

• Mose Allison:

  But I got an audience that knows what I do. They usually show up, so I usually do pretty good.

• Mose Allison:

  I been getting good crowds. It only took 50 years.

• Mose Allison:

  I can't judge my own stuff. That's for others. But those are the three things that I admire.

• Mose Allison:

  I do some concerts. At the moment, I'm being helped a lot by a gig I play in London, which is Pizza

• Mose Allison:

  I do very few standards. Hardly any. Other people's tunes that I do are usually obscure tunes, for