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The reader is going to imprint on the characters he sees first. He is going to expect to see these
The reader is going to imprint on the characters he sees first. He is going to expect to see these
The reader is going to imprint on the characters he sees first. He is going to expect to see these
The reader is going to imprint on the characters he sees first. He is going to expect to see these
The reader is going to imprint on the characters he sees first. He is going to expect to see these
The reader is going to imprint on the characters he sees first. He is going to expect to see these
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Nancy Kress:
Every drama requires a cast. The cast may be so huge, as in Leo Tolstoy's 'Anna Karenina,' that theNancy Kress:
In one sense, every character you create will be yourself. You've never murdered, but your murdererNancy Kress:
Should you create a protagonist based directly on yourself? The problem with this - and it is a verNancy Kress:
Exposition has legitimate uses. It's the most efficient way to summarize background information, inNancy Kress:
You do not have to dramatize everything. In fact, you usually can't, not without ending up with a hNancy Kress:
If your reader has been given a rousing opening, he will usually then sit still for at least some eNancy Lopez:
Doubt yourself and you doubt everything you see. Judge yourself and you see judges everywhere. ButNancy Lopez:
A competitor will find a way to win. Competitors take bad breaks and use them to drive themselves jNancy Lopez:
The pressure makes me more intent about each shot. Pressure on the last few holes makes me play betNancy Lopez:
My swing is no uglier than Arnold Palmer's, and it's the same ugly swing every time.