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The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.
The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.
The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.
The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.
The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.
The thing is, fairytales were once a very gritty way for people to dialogue about aspects of life.
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Isobelle Carmody:
I am very fortunate in that I have spent pretty much my whole life being a writer, and before I wasIsobelle Carmody:
I wrote my first full book when I was fourteen, and that was 'Obernewtyn.' It was also the first boIsobelle Carmody:
If you look at the body of any writers' work, you can figure out the questions that animate them. IIsobelle Carmody:
I have never forgotten the almost mystical power over an audience a storyteller has, when the storyIsobelle Carmody:
All through university years, I used to come up to Melbourne, go to Pizza Napoli with my friends anIsobelle Carmody:
I do see, in some younger writers, elements and things that I have used - and I am very touched andIsobelle Carmody:
I believe excellent fantasy reflects us all, and yes, it can use those myths that underpin societieIsobelle Carmody:
The best fantasy does not offer an answer to our lives, it is an offering that acknowledges enoughIsobelle Carmody:
If fantasy is done well, it has both serious content in a literary fashion and is a really good reaIsobelle Carmody:
First and foremost, I'm an oral storyteller - I'll make a poetic choice over a grammatical choice e