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The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the co
The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the co
The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the co
The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the co
The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the co
The worldview implied by literary fiction is complex and ambiguous, trying to be faithful to the co
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Nancy Kress:
For commercial books in a genre, readers' and editors' expectations may be fairly rigid. Some romanNancy Kress:
Surreal fiction is a sophisticated art form. Events happen divorced from conventional logic, as eveNancy Kress:
Slipstream fiction is usually defined as fiction with a contemporary setting in which story elementNancy Kress:
All nonmimetic fiction is a balancing act between 'reality' and the obviously unreal, with no attemNancy Kress:
There are writers whose first drafts are so lean, so skimpy, that they must go back and add words,Nancy Kress:
Words that add no new information or aren't repeated for emphasis are just padding. A sentence mayNancy Kress:
Before the scene, before the paragraph, even before the sentence, comes the word. Individual wordsNancy Kress:
Words change over time. 'Condescending,' for instance, was once a good thing to be. It meant that aNancy Kress:
Readers want to visualize your story as they read it. The more exact words you give them, the moreNancy Kress:
In fiction, a reaction shot is a brief portrayal of how your character reacts to something that som