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The younger generation of filmmakers is concerned about our roots, rather than making films with ch
The younger generation of filmmakers is concerned about our roots, rather than making films with ch
The younger generation of filmmakers is concerned about our roots, rather than making films with ch
The younger generation of filmmakers is concerned about our roots, rather than making films with ch
The younger generation of filmmakers is concerned about our roots, rather than making films with ch
The younger generation of filmmakers is concerned about our roots, rather than making films with ch
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Vetrimaaran:
I've always said that the more ethnic you become, the more international your film becomes.Vetrimaaran:
We all have to consciously make efforts to identify our roots and nurture them.Vetrimaaran:
My mentor is Balu Mahendra.Vetrimaaran:
Vada Chennai' is a proper mainstream film, told in a sensible way.Vetrimaaran:
Going international is my game. I've always wanted to do it, and after 'Aadukalam,' I got to meet AVetrimaaran:
My films are a personal reflection on the impact that the state - the system and the world - has onVetrimaaran:
I don't find anything black and white; I find grey in every person, and that is what excites me.Vetrimaaran:
I wasn't happy the way I completed 'Asuran' or abandoned the film as it isn't complete. People areVetrimaaran:
Vada Chennai 2' needs a big budget.Vetrimaaran:
It is much easier to do a film about something that the audience readily knows about - say, cricket