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There are many different styles of, and approaches to, tap. My own leans towards a more intellectua
There are many different styles of, and approaches to, tap. My own leans towards a more intellectua
There are many different styles of, and approaches to, tap. My own leans towards a more intellectua
There are many different styles of, and approaches to, tap. My own leans towards a more intellectua
There are many different styles of, and approaches to, tap. My own leans towards a more intellectua
There are many different styles of, and approaches to, tap. My own leans towards a more intellectua
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Savion Glover:
I like to be around dancers who are totally committed to the art form, totally committed to the menSavion Glover:
If someone wants to be very tight about authenticity or ownership, it just sounds kind of competitiSavion Glover:
I want to share what I have, and I'd rather share it with people that are a little bit more open-miMerce Cunningham:
My dance classes were open to anybody, my only stipulation was that they had to come to the class eMerce Cunningham:
Movement is expressive. I've never denied that. I don't think there's such a thing as abstract dancMerce Cunningham:
All these dismal things that are going on in the world - the isolation and the sickness and the govMerce Cunningham:
You can get fixed ideas, and it can get restrictive. So, I try to put myself in a precarious positiMerce Cunningham:
Fortunately, dance has been what's interested me all my life. So whether I am faced with incapacitiMerce Cunningham:
I don't like teaching, because it's so repetitive - especially the beginning of class, which is alwMerce Cunningham:
My work always comes from the same source - from movement. It doesn't necessarily come from an outs