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There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when
There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when
There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when
There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when
There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when
There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when
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Harrison Birtwistle:
The thing about influence is that any composer worth anything will give you the same names.Harrison Birtwistle:
The theatre only knows what it's doing next week, not like the opera, where they say: What are we gHarrison Birtwistle:
The piece that had a large influence on me was Turangalila.Harrison Birtwistle:
The opera tells the story with all the built-in contradictions and from many different angles.Harrison Birtwistle:
People say my music is English. I don't know what it is. Maybe it's not me writing English music, bHarrison Birtwistle:
One thing I've tried to do in writing music is take on very basic things, very archetypal things.Harrison Birtwistle:
My operas usually come from musical ideas rather than ideas about subject matter.Harrison Birtwistle:
My operas and my theatre works are very formal pieces.Harrison Birtwistle:
My attitude to writing is like when you do wallpapering, you remember where all the little bits areHarrison Birtwistle:
Music is such a problem in the time it takes.