There are some scenes that work beautifully in a moving, sweeping master, which is how I like to work.

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• Debbie Allen:

  As far as pacing the shoot is concerned, I know when I've got it. I don't think there's any reason

• Debbie Allen:

  I didn't need the insurance. I do it again if my DP tells me it didn't look good in the camera or i

• Debbie Allen:

  I'm always moving forward.

• Debbie Allen:

  A director just pushes them a little this way or that way.

• Debbie Allen:

  But it was not possible to do this movie, in this matter of time, without a solid rehearsal period.

• Debbie Allen:

  I design my shots. I walk the rehearsal as the camera and say 'this is where I want to be... I want

• Debbie Allen:

  I use something that is a real staple in the directing world. It's called a dance floor. You lay it

• Debbie Allen:

  It goes back to a style of moviemaking I remember seeing as a child, in movies like The Man With Th

• Debbie Allen:

  Making this movie was a great opportunity for me to explore high-definition. I'm glad I got to see

• Debbie Allen:

  I got my dailies every day, although I couldn't always look at them because I was usually preparing