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There's different ways to approach music for sleeping. Things like white noise are functional, like
There's different ways to approach music for sleeping. Things like white noise are functional, like
There's different ways to approach music for sleeping. Things like white noise are functional, like
There's different ways to approach music for sleeping. Things like white noise are functional, like
There's different ways to approach music for sleeping. Things like white noise are functional, like
There's different ways to approach music for sleeping. Things like white noise are functional, like
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Max Richter:
We're chronically sleep-deprived as a culture. We're constantly on.Max Richter:
I don't have synesthesia, but I think when music is really intense, it's almost like it's more thanMax Richter:
We tend to think that when we're awake, we're on, and when we're sleeping our mind is off, but actuMax Richter:
The thing that makes me want to write a piece of music is having something to talk about, you know?Max Richter:
I came from a Conservatoire background where the idea of complexity was very much bound up with gooMax Richter:
When we go to sleep ordinarily, we're doing something really private. It's kind of an intimate, priMax Richter:
We're living in our neoliberal, sort of late-stage capitalist culture where human beings are reallyMax Richter:
When you're working in cinema, you often have a very, very compressed schedule - very few weeks toMax Richter:
I'm suspicious of the idea of categories in music and this idea of things being in boxes. To me, thMax Richter:
'Memoryhouse' came out, and there wasn't a single review and zero sales, and after about a year, it