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There's the public self that we present to the outer world. There's the private self, which maybe t
There's the public self that we present to the outer world. There's the private self, which maybe t
There's the public self that we present to the outer world. There's the private self, which maybe t
There's the public self that we present to the outer world. There's the private self, which maybe t
There's the public self that we present to the outer world. There's the private self, which maybe t
There's the public self that we present to the outer world. There's the private self, which maybe t
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Laura van den Berg:
I tend to be drawn to characters who are not rule followers, who behave in unexpected and unusual wLaura van den Berg:
In fiction, we are not bound by social convention, so the things that mystify and unsettle are alloLaura van den Berg:
Here's something a little more personal: In my teens, I was having a hard time and ended up in a thLaura van den Berg:
With both novels and short stories, I think a lot in terms of character arcs, when it comes to endiLaura van den Berg:
It puzzles me when writers say they can't read fiction when they're writing fiction because they doLaura van den Berg:
If I'm really rolling with a short story, I work on it everywhere and end up with a finished draftLaura Wade:
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It's an odd mix, the life of a playwright.Laura Wade:
Writing a tribe is fun. They have their own language, their own slang; they repeat it, and it becomLaura Wade:
I don't like writing with real people in mind.