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This idea that my work is about hip-hop is a little reductive. What I'm interested in is the perfor
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the perfor
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the perfor
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the perfor
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the perfor
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the perfor
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Kehinde Wiley:
The art world has become so insular. The rules have become so autodidactic that, in a sense, they lKehinde Wiley:
I think I've come through the art-industrial complex - I've been educated in some of the best instiKehinde Wiley:
When I was growing up and going to art school and learning about African-American art, much of it wKehinde Wiley:
The beauty of art is that it allows you to slow down, and for a moment, things that once seemed unfKehinde Wiley:
I have a fondness for making paintings that go beyond just having a conversation about art for art'Kehinde Wiley:
Art in the age of the digital image is completely different from experiencing art in physical form.Kehinde Wiley:
I remember the first time I went to the Los Angeles County Museum of Art and saw a Kerry James MarsKehinde Wiley:
I think my life has been transformed by the ability to take things that exist in the world and lookKehinde Wiley:
Being a kid with black skin in South Central Los Angeles, in a part of the world where opportunityKehinde Wiley:
Art is about changing what we see in our everyday lives and representing it in such a way that it g