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Throughout America's young history there has been a necessary tension between the individual and th
Throughout America's young history there has been a necessary tension between the individual and th
Throughout America's young history there has been a necessary tension between the individual and th
Throughout America's young history there has been a necessary tension between the individual and th
Throughout America's young history there has been a necessary tension between the individual and th
Throughout America's young history there has been a necessary tension between the individual and th
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Harold Evans:
When I first came to the United States in 1956 I fell in love with things - mainly the vitality andHarold Evans:
Actions are always more complex and nuanced than they seem. We have to be willing to wrestle with pHarold Feinstein:
Coney Island was the centre of the world for me. I loved the rides, the hot dogs - I've never gotteHarold Feinstein:
I always feel I had a very lucky life. For example, I sure didn't want to go in the army: when I waHarold Feinstein:
I love this life. I feel like I am always catching my breath and saying, 'Oh! Will you look at thatHarold Feinstein:
The thing is that pictures are everywhere. The question is what we don't see, and why don't we seeHarold Feinstein:
You must photograph where you are involved; where you are overwhelmed by what you see before you; wHarold Feinstein:
I was born in Coney Island. I like to think I fell out of the womb onto the fun park's giant ParachHarold Feinstein:
Mostly, I worked so quickly, I didn't see the details of a photograph until it was printed.Harold Feinstein:
I began photographing in 1946. Before that, I was a painter and drawer, with my mother and father's