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To keep art stimulating, it's important to open it up to new horizons, which includes showing it in
To keep art stimulating, it's important to open it up to new horizons, which includes showing it in
To keep art stimulating, it's important to open it up to new horizons, which includes showing it in
To keep art stimulating, it's important to open it up to new horizons, which includes showing it in
To keep art stimulating, it's important to open it up to new horizons, which includes showing it in
To keep art stimulating, it's important to open it up to new horizons, which includes showing it in
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Hans-Ulrich Obrist:
During my time at high school and university in Kreuzlingen and St. Gallen, I traveled around EuropHans-Ulrich Obrist:
The non-utility of my kitchen could be transformed into its utility for art. To do a show there wouHans-Ulrich Obrist:
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary artHans-Ulrich Obrist:
Making art is not the matter of a moment, and nor is making an exhibition; curating follows art.Hans-Ulrich Obrist:
When I was a kid and started to be obsessed by art in the 1980s, the art world was in this polarityHans-Ulrich Obrist:
To be honest, I think, for me, the power is always with art. The art world clearly couldn't happenHans-Ulrich Obrist:
I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artisHans-Ulrich Obrist:
Most cities have a centre surrounded by suburbs, but London has numerous centres: it's the model ofHans-Ulrich Obrist:
At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festivHans-Ulrich Obrist:
Alex Poots has always made a bridge between highly experimental and the mainstream.