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To know one thing, you must know the opposite.
To know one thing, you must know the opposite.
To know one thing, you must know the opposite.
To know one thing, you must know the opposite.
To know one thing, you must know the opposite.
To know one thing, you must know the opposite.
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Henry Moore:
I have no conceit as a writer; in fact, I find it very difficult to start writing about sculpture gHenry Moore:
Since the Gothic, European sculpture has become overgrown with moss, weeds - all sorts of surface eHenry Moore:
In my opinion, long and intense study of the human figure is the necessary foundation for a sculptoHenry Moore:
Sculpture is an art of the open air. Daylight, sunlight, is necessary to it, and for me, its best sHenry Moore:
I was the seventh in the family. By the time I came along, one brother and two sisters had alreadyHenry Moore:
I admit clearly and frankly that early Mexican art formed my views of carving as much as anything IHenry Moore:
So with the young African artists. What they have to learn from tribal art is not how to copy the tHenry Moore:
Cezanne had an enormous influence on everyone in that period; there was a change in attitudes to arHenry Moore:
In Giacometti's work, the armature has once again become the life-line of the sculpture, and also,Henry Moore:
I believe that nothing should be taboo - no theory or prejudice should close one's mind to a discov